Russian Symbolist Painter, 1856-1910 Russian painter and draughtsman. He was a pioneer of modernism, and his highly innovative technique broke with the traditions of the Academy of Arts in St Petersburg, where he had been a brilliant student; at the same time he felt dissociated from the social consciousness of The Wanderers.  Related Paintings of Mikhail Vrubel :. | The Girl in front of Rug | Georges Seurat | The Six-winged seraph | La Princesse lointaine | Alexandrovskaya Sloboda |
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James Sant
(1820-1916) was a British painter specializing in portraits, and a member of the Royal Academy. Sant was born in Croydon and taught by John Varley and Augustus Wall Callcott. He lived to the age of 96 and produced an astonishing number of canvases for exhibition at the Academy, some 250 of them, from 1840 through 1904. He was elected to the RA in 1870, and in 1872 Sant was appointed Principal Painter in Ordinary (official portraitist) to Queen Victoria and the royal family. Sant resigned from the RA in 1914 to "make room for younger men." His work can be found at the Tate Gallery. His brother George Sant (1821 - 1877) was a landscape painter. His sister Sarah Sherwood Clarke (who married Frederick Clarke, Superintendent and later Secretary of the LWS Railway) was an artist of great talent, but all that remains of her work is a collection of 48 different views of Scotland from 1854; these were exhibited for the first time at the "Watercolours & Works on Paper Fair" in London in February 2010.
Mosler, Henry
American Painter, 1841-1920 United States artist, was born in New York, the family removing to Cincinnati when he was about ten years old. Studying drawing by himself, he became a draughtsman for a comic paper, the Omnibus (Cincinnati), in 1855; in 1859-1861 he studied under James Henry Beard, and in 1862-63, during the Civil War, was an art correspondent of Harper's Weekly. In 1863 he went to Desseldorf, where for almost three years he was at the Royal Academy schools; he subsequently went to Paris, where he studied for a short time under Ernest Hebert. His "Le Retour," from the Paris Salon of 1879, was the first American picture ever bought for the Luxembourg. He received a silver medal in Paris 1889, and gold medals at Paris, 1888, and Vienna, 1893.
Franz Ittenbach
(April 18, 1813 - December 1, 1879) was a German religious painter from Königswinter, North Rhine-Westphalia, at the foot of the Drachenfels. Ittenbach began his art education as a student of Kaufmann, then left to study under Franz Katz in Cologne. In 1832, Ittenbach became a pupil, at the age of 19, of the Desseldorf Academy, where he also received private lessons from its president, Schadow. He was a member of the Nazarene movement and associated himself mainly with three of his friends and fellow-students: Karl and Andreas Meller, and Ernst Deger. The four men travelled about in Germany, studying and painting together. From 1839 to 1842, Ittenbach lived in Italy. On his return, he stayed in Munich for some time. In 1849, he returned to Desseldorf. From 1859 until his death, he was a member of the artist club "Malkasten". Ittenbach was exceedingly religious and persistently declined any commissions for mythological or pagan subjects. As a rule, he devoted his energies exclusively to church decoration. He would precede the execution of his greatest works with devout religious exercises, including confession and communion. His finest paintings are said to be found at Bonn, in the church of St. Remigius, and in Breslau in a church dedicated to the same saint. There is also a remarkable "Holy Family" dated 1861, painted for Prince Liechtenstein in his private chapel near Vienna. Most of his other works can be found in various Catholic churches in Germany. His only important fresco was painted in 1844 in a church at Remagen. Ittenbach was a popular painter in court circles, a member of most of the European academies, and the recipient of many medals and decorations. He painted a few portraits, but they were unimportant; his main work was his altar-pieces.